I am currently engaged in research I term Agent-Based Art through machine learning’s infinite generative pulse—neural networks in ceaseless dialogue, their transmissions humming with latent vitality, mediated as behavioral aesthetic. This series will asks how synthetic agents might evolve within computational ecosystems: Can they actively learn, nurture beliefs, or cultivate aesthetic sensibilities? How is knowledge retrieved—not stored, but lived—through synaptic reconfiguration? I study multi-agent systems balancing evolution and equilibrium, swarms oscillating between chaos and fragile symbiosis. The AI training process itself becomes vary aesthetics ... read more about other series

“As a legged robot moves, a sea-level-rise change realm within a space gradually unfolds...”
Drift of the Uncharted

(2024-ongoing)
Agent-Based Art
Quadruped Robot, Moving Projection, Climate Prediction

Artificial Life: One Leg at a Time

(2022)
Agent-Based Art
Refocement Learning, Game Engine

Return to the Peach Blossom Wonderland

(2020)
Infinite Cinema
3 Channel Video, Style Transfer Algorithm

Buffer Beach, Let the Waves Render

(2024)
Software Matter Aesthetics
Video

Nomadic Annotators

(2022-2023)
Speculative Fiction
Video, Virtual Production

I Just Stay in my home, Not Go Anywhere

(2021)
Software Matter Aesthetics
Video

“ in The Amphibious Rover LDN2030 are adopted for scouting several flooded locations in London,
exploring these places that humans can no longer easily approach to.”
Amphibious Rover LDN2030 Scouting Log

(2022)
Agent-Based Art
Rover Robot, Expanded Cinema

Phalaenopsis and their Friends Whisper their Tales

(2022)
Trans-Species
Interactive System, Multi-Species Theatre

Fish, Tree Rings and Memory

(2019)
Trans-Species
Installation

©2025 Ary-Yue Huang